Bridget sketching |
Bridget's monsters on the door |
Peeking through the frosting |
Germania's poem |
Bridget came to the space Monday night with pink foam insulation boards and began gluing and cutting the material. We talked about social practice as she sprayed the words OPEN on the foam board. Her beautiful dog, Dizzy guarded the space with intermittent growls as shadows passed by in the frosted window.
Bridget uses a hot carving knife by the back door. We offset the smell of burning foam with Mexican incense.
Bridget using the dry carving knife to work with the foam
Bridget's door deconstruction |
Jia came to the storefront this afternoon (Saturday April 21st) with materials and a project in mind but then the ideas were interrupted by other material offering in the space.
I asked Jia to help me take the frosting off of the old door downstairs in the basement. We repurposed it on our front door although it's mounted in a haphazard way. The effect of the frosting on the door from the inside feels like a soft blanket of snow covering the ground. Now we are insulted from the outside world except for a small opening at the top of the door. This softness quiets the space. I understand how frosting in a landscape of buildings acquired through eminent domain has a softening effect. It wipes out the memory of people inside.
Jia fills in various spaces with semi-dry acrylic paint. |
Pat plays the singing bowl in the meditation space by the front frosted windows |
Last week Melody and I attempted our taxes at the space. Before diving into the taxes we talked about a book she is loaning me called The Argonauts by Maggie Nelson. It's hard to say if Maggie Nelson's word set me in motion marking the walls or if I just felt it was time to break with the clean and naked walls of the space.